![]() ![]() Some of the roots of tonic sol-fa may be found in items such as The original Solfege sequence started with “Ut” which later became “Do”.īy the end of the nineteenth century, this notation was very widespread in Britain, and it became standard practice to sell sheet music (for popular songs) with the tonic sol-fa notation included. “ Do” is chosen to be the tonic of whatever key is being used (thus the terminology moveable Do). do, reh, me, fa, so, la, te, do) or their abbreviations ( d,r,m,f,s,l,t,d). It uses a system of musical notation based on movable do solfège, whereby every tone is given a name according to its relationship with other tones in the key: the usual staff notation is replaced with anglicized solfège syllables (e.g. ![]() ![]() Tonic sol-fa is a pedagogical technique for teaching sight-singing, invented by Sarah Ann Glover (1785–1867) of Norwich, England and popularised by John Curwen who adapted it from a number of earlier musical systems. ![]()
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